New York, 2025. The streets do something to you here that nowhere else quite manages — the light, the noise, the feeling that everything is happening at once and none of it is waiting for you.
The yellow cabs were doing what yellow cabs do. Moving, stopping, moving again. The light was hitting the street in a way I wanted. X100V already up, zone focus already set — click. You can feel the buzz in the frame.
This pairs naturally with Dublin Taxis at Night. Two cities, two kinds of dark and light, one camera, one lens. Dublin after midnight. New York in full swing. Same discipline, completely different worlds.
C Type Fuji Gloss
Professional colour paper from the Fuji Crystal archive range with a gloss finish, which accentuates the colour to give a punchy, rich feel. Gives your image more contrast, glossiness, and a punchier colour feel compared to Fuji Matt, while maintaining tonal properties and accurate reproduction.
"Two cities, two kinds of light. Dublin after midnight. New York in full swing. Same camera, same lens, completely different worlds." — Billy
New York, 2025. The streets do something to you here that nowhere else quite manages — the light, the noise, the feeling that everything is happening at once and none of it is waiting for you.
The yellow cabs were doing what yellow cabs do. Moving, stopping, moving again. The light was hitting the street in a way I wanted. X100V already up, zone focus already set — click. You can feel the buzz in the frame.
This pairs naturally with Dublin Taxis at Night. Two cities, two kinds of dark and light, one camera, one lens. Dublin after midnight. New York in full swing. Same discipline, completely different worlds.
C Type Fuji Gloss
Professional colour paper from the Fuji Crystal archive range with a gloss finish, which accentuates the colour to give a punchy, rich feel. Gives your image more contrast, glossiness, and a punchier colour feel compared to Fuji Matt, while maintaining tonal properties and accurate reproduction.
"Two cities, two kinds of light. Dublin after midnight. New York in full swing. Same camera, same lens, completely different worlds." — Billy
